Showing posts with label Coming of age. Show all posts
Showing posts with label Coming of age. Show all posts

Friday, July 8, 2016

In Response to Ayelet Waldman’s “I Told My Daughter to ‘Be Nice to the Fat Girls’”

As a child, I acquired most of my education on the big yellow bus. The two particular experiences shaped me in ways I still struggle to define, but their influence— like indecipherable whispers —are an indelible part of my psyche.


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The sing-song taunt “Mother-f*cker, two-balled b*tch, every time I look at you, you make my ti##ies itch” set my cheeks ablaze for three consecutive days. Dawn, a sixth-grade bully, delighted in my silent fluster as she peered over my three-seater to deliver a string of vulgarity before an audience of our peers. On the third day, everything changed.


Dawn giggled as she reprised her taunting tune, “Mother-f*cker…” my ten-year-old knuckles clutched my umbrella’s plastic J-hook handle as everyone’s stares bore through me. I seethed, “Enough!” She continued and I conjured the only threatening phrase I could muster, compliments of every parent since the dawn of motor vehicles — “Don’t make me turn around, Dawn!” More giggles. More taunting. More clutching.


Before the bully could cut me down with continued humiliation, my knees sank into the stiff vinyl. Face to face with my tormentor, five little fingers balled into a fist around my red umbrella handle, I exploded, “I told you to stop!” I was screaming. I was raining blurred- red- blows upon Dawn.  


She slunk down and pressed herself against the cold steel panel, curled into the fetal position- a pile of tears, snot, and hair.I couldn’t stop.


“Please!” Her friend, Renee, squealed from across the ridged rubber aisle. Her panic broke my rage. I slumped into my seat, heart racing, hands shaking, ears ringing, eyes darting. The bus driver smirked at me through the long driver’s mirror. My stomach sank.


When we pulled up to Mountain View North Elementary, I was sure I’d be hauled to the vice principal’s office. My body stiffened as I passed the driver and descended the steep bus steps. But nothing happened. Nothing but mostly quiet bus rides. I hated the fear in Renee's eyes. No take backs.


Throughout my life, I’ve been in three physical schoolyard fights. All in elementary school. Dawn was my first. As for the other two, two boys on two separate occasions called my mother fat. Once in a classroom. Once on the bus.


Self-conscious of my own appearance, filled with self-loathing, such a slight against my mother would not stand. They could say what they would about me, but I drew the line at my mother. For one reason or another,  I was hyper-protective of Mom. Maybe that’s what I told myself to rationalize my physical release.


Each encounter was not so much a fight as a rage induced attack— none of them fought back.
I never got in trouble for any of the attacks. Crazy.


Looking back on the bus (or each altercation for that matter), I’m struck most by the bystander inaction, including the bus driver’s supportive smirk.


No one told Dawn to stop when I was visibly distressed by her harassment. No one told me to stop when Dawn was visibly distressed by my thrashing. It took Rene’s delayed plea to snap me out of my enraged trance.


Maybe no one took the incident seriously. Girls are so often called catty...their hurtful bickering a popular punchline… their physical altercations blunted by the term cat fight. How much damage could a ten-year-old do to a twelve-year-old?


Maybe no one said anything to Dawn because she wasn’t hurting me. How was she to know that she inflamed an already oozing sore?


Consciously, I knew no matter how ugly or fat I was, neither of those things could cause spectators an allergic itch. On a very subconscious level, though, I was humiliated because her chant reinforced what I already believed—  my appearance was so offensive, that I should not exist.


An early bloomer, I was rounder than my peers, a fact of which I was frequently reminded. Big- apples. Brownie- points. Lard- ass. Thunder- thighs. My physical appearance was up for comment. A constant source of scrutiny. My body was a public verbal dumping ground. I hated it...the scrutiny and the body. So on that day,  Dawn paid the price. That day, in that moment, she was all of them.


Maybe no one acted because Dawn was known as a problem… and lower-income. In a way, she was my Nelson. She, too, was one of the others… another reason I recall the event with shame and remorse. Does otherness degrade violence?


Dawn wasn’t my last bully (and I’d be lying if I said that I was never guilty of bullying). But the size that earned me much mockery was also the thing that kept physical threats at bay. I looked like I could hold my own. And I mastered a stony stare… or what my mother calls the Yolanda face. My grandmother could stop time with her steely glare. I call it a subconscious coping mechanism.


The red umbrella incident wasn’t my last school bus lesson, though it was the most sudden and violent.


The next lesson, too, was delivered in the form of a vulgar nursery rhyme. The rhyme didn’t taunt me, it made me laugh. Made.


I was reminded of this particular rhyme after spending the better part of the morning at an auto shop perched on a spinning stool, feet dangling from either side, alternating heels tapping its metallic rungs. Back unsupported and sore. In the background, a talk showed chatted about Ayelet Waldman’s essay ( click if you'd like to read Waldman's essay).


I eyed the middle-aged man sitting across from me in a more comfortable chair, his legs, too, spread wide, inadvertently laying claim to the free comfortable chair to his right. In another seat, a young woman with legs crossed at the ankle, thighs glued at the knees, worked feverishly on her laptop.


Our varying postures flooded my memory with the adolescent rhyme along with its choreographed hand motions. More finger motions, really.


Over the roar of the yellow and black monster, my girlfriend and I reached across the aisle to initiate our song and dance.


Our ring fingers and pinkies pressed to our smooth palms, secured by our thumbs, with our index and middle fingers curled at the joint, pressed firmly together to mimic legs- “Some girls sit like this…”- crossed index finger over the still curled middle finger- “some girls sit like this…” returned index finger to its original position and spread the two fingers apart- “but girls who sit like this…” - index finger took a bow and the middle finger stood at full salute- “get this...” punctuated with a snap - “like that!” The taboo content cued our high fives and raucous laughter.


For one reason or another, I could never sit comfortably with my knees smooshed against each other. And my feet fell asleep whenever I crossed my legs. Suffice to say, I (for a time) learned to live with pins and needles. All the youthful practice earned me was varicose veins.


I internalized the song’s subtext. I was conscious of how I carried myself and believed any unwanted or unseemly attention I received was a product of my public presentation. Victim blaming at its finest.


Sadly this subtle girl-hate continues in the form of dress codes and other discrete practices and comments that teach girls that their appearance dictates a perceived value. Bare shoulders and thighs, open legs- these affronts warrant disrespect and pain. Shame. Boys remain helpless victims of little Lolita’s lure. This mindset silently condones cat-calls, rape culture, and worst of all- self-deprecation—we are engaged in a dangerous reality, not a game, that disempowers each gender.


My current posture claims more space. How unladylike. How insulting. To my knowledge, my adult comfort has yet to be mistaken for an invitation.


How absurd that a catchy rhyme exists to shame girls. How absurd that it works. How absurd that the slut-shaming and victim-blaming it endorses is the stuff of finger- puppet- theater.


Luckily, I got off the bus of body- shaming, slut- shaming, and victim- blaming. Luckily, all of these ailments have become the stuff of social media platform’s calls to action. Luckily, just by having conversations about these social issues we’re coasting down the road toward empowerment. But we have to expedite the next stop- a stop that moves talk to action and truth to power.


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Thursday, November 19, 2015

A Maniac Flashes Back

Three businesses proliferate in Bethlehem: tattoo shops, pizza places, and beauty salons. From the looks of it, vape joints will soon join their ranks and litter local street corners and strip malls. Salons, though, dominate the landscape. It's a case of quantity trumping quality.

I'm loyal, sometimes to a fault, so when I find a stylist that can maneuver my cowlicks, inconsistent curls, and pension for change- I stick with her. It took a while, but I finally found my temple of beauty. Beautique is my salon of choice, but whenever I go, I feel more like I'm visiting a group of girlfriends.

The small shop swells with heat and laughter-- there's a real sense of community and camaraderie, a refreshing change of pace from austere or cosmopolitan alternatives. It doesn't hurt that two of the women are sisters and the rest are life long friends. Recently, they've started carrying accessories from a local artist and client. The menagerie of shiny baubles never fails to lure me like a barracuda. Hunting through the sparkling wares, I found a relic.

"Are those leg warmers?!" Leg warmers! Tubular sweaters for chilly shins. The small black bunches were slouched over cardboard booties, accented with shimmering hearts. I was swept away in a current of nostalgia with no life jacket, dangerously close to an impulse purchase that was sure to collect dust. My mind was swimming with 80s splendor.

One look at Jennifer Beals, circa 1983, and there was no denying the power of legwarmers. Flashdance was everything. At the age of 8, I wanted to live my life in a black leotard and matching leg warmers.

photo credit: chud.com

What could possibly be cooler than a beautiful welder by day, exotic dancer by night wowing elitist dance snobs with her jaw dropping Pittsburgh Conservatory of Dance and Repertory audition, a blend of modern dance, ballet, and breakdancing. Alex Owens (Jennifer Beals) was independent, tough, talented, sexy, and vulnerable. Lord, the woman taught me to take off my bra without removing my shirt. She was magic! My sweatshirt necklines never stood a chance.

photo credit: lyriquediscorde.com

I became a maniac on the grassy field, apartment adjacent, blaring Irene Cara from my from my taperecorder, twirling in the crisp light, leaping through the air, finally landing on the high voltage green machine. Danger be damned.

photo credit: cracked.com

Once on my electric stage, I'd stamp my feet, point at imaginary judges, and sing, "I can have it all/ Now I'm dancing for my life..." Fuchsia legwarmers over my white double laced LA Gears were an apt substitute for Alex's ensemble in the cold autumn months. I was the dancing queen of my little world.

photo credit: tinypic.com

Standing lost in thought at Beautique's register, I didn't realize I had picked up the bedazzled black legwarmers. I guess I was clutching the free-me. Fearless me- dancing on the green machine me. I'm still here, though, dancing through my life. I just decided to leave the black legwarmers in the 80s... where they belong. 

Wednesday, November 18, 2015

A Piggy Runs Through It

Picture day- I dreaded it as a student; I dread it more as teacher. I imagine students crowded around crisp yearbooks, carefully inking out my front teeth, scribbling devil horns on my carefully styled hair, the glossy page squeaking beneath the crude sharpie as it adds some adult acne to my airbrushed face. Soon, my new found gappy smile would find its way to some social media site I never heard of-- Snapchat was just about over by the time I caught wind, so I'm sure some brave new website hosts the same old online antics. Ignorance is bliss.

Besides the imminent defacement, sitting for the snapshot steals time better spent plowing through a pile of papers or researching a new angle on an old canon. But teaching is lousy with such trivialities. Standing over my cluttered desk, punching staples into a stack of vocabulary packets is one of those inconveniences-- this mindless moment brought to you by Sharp Copiers- Sharp, it will do half the job half of the time. This serendipitous occasion, though, prompted an unexpected epiphany- I have a very visible problem.

"Is purple your favorite color or something?" A student wandered into my classroom early for our 8th period English class. What a random question. Where did she get that idea? I stopped guessing as my curious eyes moved from the translucent purple stapler in my right hand to the stack of papers next to my cell phone, encased in purple, and finally rested on my very purple blouse.  How about that?

"You know what, Jodi? It just may be... I never realized it, but now it's hard to ignore." She twisted her grin and nodded at my filing cabinet, my keys dangling from a purple key ring-- below them sat my purple work bag and from my bag poked my purple polkadot umbrella. She suspected shenanigans- a big purple denial. In the fleeting seconds between this awakening and the first bell, I did a mental inventory of my purple possessions.

Kindle cover, purple; living room walls, purple; throw pillows, purple; my dog's squeaky toy, purple; the comically large pen I boosted from my dentist's office, purple. How could I never have seen this? How far back does it go? My guess, my profound purple addiction is rooted in childhood...when in doubt, dig through childhood. Then it hit me... damn you, Miss Piggy.


One of my first and absolute favorite childhood toys was a Miss Piggy puppet. She wore a strapless, sateen evening gown with long formal purple gloves and violet shadow coated her bulbous blue eyes. Whenever I worked my purple Piggy puppet, I would flail her arms and mimic her signature, "hiya!" I'm sure my mother never regretted mall hopping at the peak of holiday shopping madness to find my plastic playmate. Never once could she have possibly longed to launch the menace from our second story window while I batted her calves, "Hiiiiyah! Hiyah! Hiyah!"


Piggy was practically family! My sister even claimed possession of her when I was too old and cool for this now vintage doll.Piggy even made it to the family photo album the day my then three year old sister giggled, "Mommy!" as she swung the doll by its hair. In 1988, bold shadow with a thick liner was a smash on magazine covers. Combine my mom's makeup with my her then frosted wavy hair and in my sister's baby brain, voila- Piggy = mommy. We took a family photo using Piggy as a stand in for Mom. Poor Mom- no matter how beautiful, no woman wants to be compared to a pig. No good deed goes unpunished.Luckily Mom has a good sense of humor.

She has a sharp wit and isn't afraid to get silly. While other kids were learning campfire songs, we were singing, "It was a one eyed, one horned, flyin' purple people eater..." Another source of the purple problem surfaces! All in all, I suppose my love of all things purple is akin to my affection for my childhood memories. Somewhere in my subconscious I was inspired to plant beautifully subtle reminders of happy days gone by in my daily adult life.


The bell rings and brings me back to Jodi and the rest of my kids. They begrudging plop last night's writing assignment, sure to be peppered with purple prose, on my desk as they shuffle to their seats. Looks like I've built myself a sort of purple paradise.

Friday, November 13, 2015

The Wonder Of The Woman

Three things mattered to me in 1979- my mom, my blankie, and my New Adventures of Wonder Woman. My mom and I lived alone in a two bedroom apartment and there weren’t other kids in the complex; luckily I had a cast of imaginary playmates: Marsha Brady,Cookie Monster-- pretty much the entire Sesame Street cast--, Sandy-- Sandy from Grease, not Sandy the dog from Little Orphan Annie. None of them, though, held a candle to Wonder Woman. Linda Carter as Diana Prince was equal parts stunning and strong. With her bulletproof bangles, lasso of truth, and invisible jet, no villain stood a chance, but I didn’t want to play with Diana. No, that wasn’t enough --  I wanted to be Diana.
You have to dress for the job you want, which is why Underoos were the best invention, ever. Wearing them beneath my pink T-shirt and brown corduroys felt like a delicious secret. On the surface I may have looked like an average 3 year old with a blanket, but underneath it all, I was an Amazon princess with a cloak of justice. In my Wonder Woman Underoos, I could face the forces of evil. The idea of helping others, seeking no credit, and standing up for myself without decimating my foes was firmly embedded in my subconscious. 
As each episode began, thunder crashed, horns flitted as soulful sopranos rose to a spasmodic crescendo, “Wonder Woman, Wonder Woman…” That was our cue.Together, Diana Prince and I would spin, arms outstretched, eyes locked on our target with each rotation-- transformed. All that remained was our patriotic, crime-fighting underwear. Of course, my spin may have lacked a certain grace. It wasn’t easy springing from the comfort of a calico couch, hitting my mark- livingroom center, vigorously pulling off my shirt, pants, and shoes, pausing briefly for a power pose, and finally chasing an imaginary assailant all in time with the screen. Plus, I had the added task of singing my own transformation anthem, so all things considered- I pretty much nailed it.
Photo Credit: http://pulptastic.com/15-things-know-dating-low-maintenance-girl/
For the next hour or so, I would mime every action sequence, zooming around the apartment in hot pursuit of some mad scientist or criminal mastermind. Now and again I enlisted the support of my mother on my crime fighting missions. No matter what she was doing, Mom would drop everything to climb aboard my invisible jet. Thinking of my then 26 year old mother straddling air and galloping around the living room with me still makes me chuckle. Together, we were unstoppable. If I couldn't be Wonder Woman, I wanted to be like my mom. Time proved, though, that I already lived with the real hero and I was struck with wonder. When I told my mother that she looked like Wonder Woman, I meant it as a supreme compliment. 
Looking back, I would be hard pressed to recap a single episode-- that's probably because I never sat through one in its entirety. I was so busy participating that I didn't have time to study the plot. All I knew was in each episode, there was danger, there was Diana, there was hope. Diana's transformation- her bravery, her beauty, her selflessness- those details I remember well. Those traits I do my best to internalize. As a child, that show empowered me. It, along with my mother, showed me women could be an unstoppable force. As a woman, it reminds me of the power of imagination and the necessity of heros. In 1979, for fifty minutes every Tuesday, I could make a difference in the world… and look stunning in the process. Today, I still fight the good fight, replacing the lasso of truth with lesson plans to share truth.