Showing posts with label childhood. Show all posts
Showing posts with label childhood. Show all posts

Friday, July 8, 2016

In Response to Ayelet Waldman’s “I Told My Daughter to ‘Be Nice to the Fat Girls’”

As a child, I acquired most of my education on the big yellow bus. The two particular experiences shaped me in ways I still struggle to define, but their influence— like indecipherable whispers —are an indelible part of my psyche.


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The sing-song taunt “Mother-f*cker, two-balled b*tch, every time I look at you, you make my ti##ies itch” set my cheeks ablaze for three consecutive days. Dawn, a sixth-grade bully, delighted in my silent fluster as she peered over my three-seater to deliver a string of vulgarity before an audience of our peers. On the third day, everything changed.


Dawn giggled as she reprised her taunting tune, “Mother-f*cker…” my ten-year-old knuckles clutched my umbrella’s plastic J-hook handle as everyone’s stares bore through me. I seethed, “Enough!” She continued and I conjured the only threatening phrase I could muster, compliments of every parent since the dawn of motor vehicles — “Don’t make me turn around, Dawn!” More giggles. More taunting. More clutching.


Before the bully could cut me down with continued humiliation, my knees sank into the stiff vinyl. Face to face with my tormentor, five little fingers balled into a fist around my red umbrella handle, I exploded, “I told you to stop!” I was screaming. I was raining blurred- red- blows upon Dawn.  


She slunk down and pressed herself against the cold steel panel, curled into the fetal position- a pile of tears, snot, and hair.I couldn’t stop.


“Please!” Her friend, Renee, squealed from across the ridged rubber aisle. Her panic broke my rage. I slumped into my seat, heart racing, hands shaking, ears ringing, eyes darting. The bus driver smirked at me through the long driver’s mirror. My stomach sank.


When we pulled up to Mountain View North Elementary, I was sure I’d be hauled to the vice principal’s office. My body stiffened as I passed the driver and descended the steep bus steps. But nothing happened. Nothing but mostly quiet bus rides. I hated the fear in Renee's eyes. No take backs.


Throughout my life, I’ve been in three physical schoolyard fights. All in elementary school. Dawn was my first. As for the other two, two boys on two separate occasions called my mother fat. Once in a classroom. Once on the bus.


Self-conscious of my own appearance, filled with self-loathing, such a slight against my mother would not stand. They could say what they would about me, but I drew the line at my mother. For one reason or another,  I was hyper-protective of Mom. Maybe that’s what I told myself to rationalize my physical release.


Each encounter was not so much a fight as a rage induced attack— none of them fought back.
I never got in trouble for any of the attacks. Crazy.


Looking back on the bus (or each altercation for that matter), I’m struck most by the bystander inaction, including the bus driver’s supportive smirk.


No one told Dawn to stop when I was visibly distressed by her harassment. No one told me to stop when Dawn was visibly distressed by my thrashing. It took Rene’s delayed plea to snap me out of my enraged trance.


Maybe no one took the incident seriously. Girls are so often called catty...their hurtful bickering a popular punchline… their physical altercations blunted by the term cat fight. How much damage could a ten-year-old do to a twelve-year-old?


Maybe no one said anything to Dawn because she wasn’t hurting me. How was she to know that she inflamed an already oozing sore?


Consciously, I knew no matter how ugly or fat I was, neither of those things could cause spectators an allergic itch. On a very subconscious level, though, I was humiliated because her chant reinforced what I already believed—  my appearance was so offensive, that I should not exist.


An early bloomer, I was rounder than my peers, a fact of which I was frequently reminded. Big- apples. Brownie- points. Lard- ass. Thunder- thighs. My physical appearance was up for comment. A constant source of scrutiny. My body was a public verbal dumping ground. I hated it...the scrutiny and the body. So on that day,  Dawn paid the price. That day, in that moment, she was all of them.


Maybe no one acted because Dawn was known as a problem… and lower-income. In a way, she was my Nelson. She, too, was one of the others… another reason I recall the event with shame and remorse. Does otherness degrade violence?


Dawn wasn’t my last bully (and I’d be lying if I said that I was never guilty of bullying). But the size that earned me much mockery was also the thing that kept physical threats at bay. I looked like I could hold my own. And I mastered a stony stare… or what my mother calls the Yolanda face. My grandmother could stop time with her steely glare. I call it a subconscious coping mechanism.


The red umbrella incident wasn’t my last school bus lesson, though it was the most sudden and violent.


The next lesson, too, was delivered in the form of a vulgar nursery rhyme. The rhyme didn’t taunt me, it made me laugh. Made.


I was reminded of this particular rhyme after spending the better part of the morning at an auto shop perched on a spinning stool, feet dangling from either side, alternating heels tapping its metallic rungs. Back unsupported and sore. In the background, a talk showed chatted about Ayelet Waldman’s essay ( click if you'd like to read Waldman's essay).


I eyed the middle-aged man sitting across from me in a more comfortable chair, his legs, too, spread wide, inadvertently laying claim to the free comfortable chair to his right. In another seat, a young woman with legs crossed at the ankle, thighs glued at the knees, worked feverishly on her laptop.


Our varying postures flooded my memory with the adolescent rhyme along with its choreographed hand motions. More finger motions, really.


Over the roar of the yellow and black monster, my girlfriend and I reached across the aisle to initiate our song and dance.


Our ring fingers and pinkies pressed to our smooth palms, secured by our thumbs, with our index and middle fingers curled at the joint, pressed firmly together to mimic legs- “Some girls sit like this…”- crossed index finger over the still curled middle finger- “some girls sit like this…” returned index finger to its original position and spread the two fingers apart- “but girls who sit like this…” - index finger took a bow and the middle finger stood at full salute- “get this...” punctuated with a snap - “like that!” The taboo content cued our high fives and raucous laughter.


For one reason or another, I could never sit comfortably with my knees smooshed against each other. And my feet fell asleep whenever I crossed my legs. Suffice to say, I (for a time) learned to live with pins and needles. All the youthful practice earned me was varicose veins.


I internalized the song’s subtext. I was conscious of how I carried myself and believed any unwanted or unseemly attention I received was a product of my public presentation. Victim blaming at its finest.


Sadly this subtle girl-hate continues in the form of dress codes and other discrete practices and comments that teach girls that their appearance dictates a perceived value. Bare shoulders and thighs, open legs- these affronts warrant disrespect and pain. Shame. Boys remain helpless victims of little Lolita’s lure. This mindset silently condones cat-calls, rape culture, and worst of all- self-deprecation—we are engaged in a dangerous reality, not a game, that disempowers each gender.


My current posture claims more space. How unladylike. How insulting. To my knowledge, my adult comfort has yet to be mistaken for an invitation.


How absurd that a catchy rhyme exists to shame girls. How absurd that it works. How absurd that the slut-shaming and victim-blaming it endorses is the stuff of finger- puppet- theater.


Luckily, I got off the bus of body- shaming, slut- shaming, and victim- blaming. Luckily, all of these ailments have become the stuff of social media platform’s calls to action. Luckily, just by having conversations about these social issues we’re coasting down the road toward empowerment. But we have to expedite the next stop- a stop that moves talk to action and truth to power.


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Saturday, November 28, 2015

To Cheat, Or Not To Cheat That Is The Question

Chutes and Ladders. Candy Land. Games that rely on the luck of the draw-- players either end up in gliding through Gumdrop Mountains or sulking in the Molasses Swamp . Hungry, Hungry Hippo. The fastest, most aggressive hippo gets to gulp the most marbles and win. Perfection. Players have to race a ticking timer to solve a 3D puzzle before all the neatly placed pieces explode from their  places. 

Simon. The coolest game of all- players memorize and mimic light and sound patterns. It is a game best played in dim light; if a player sits at the right angle, the red, blue, yellow, and green lights could dance on the ceiling... take note, Lionel Richie. 



The game's electronic tones reminded me of the final sequence in Close Encounters of The First Kind, one of the first movies I remember seeing. My mom and uncle, the finest of Trekkies, loved the movie, but the praying mantis like alien gave me nightmares. If I could master the game, though, maybe I could master her language, too.



Little did I know, sitting in the dark, studying patterns, responding in kind the best I could, Simon (along with my other favorite games) was preparing me for adulthood. But was I learning the right message? Should we teach our children that following the rules yields success? 

Movies like Close Encounters showed me that even the most elite in their fields could be flummoxed and had to be adaptable -- the smartest people existed in a constant state of learning, not a state of certainty. Just when they think they've solved a problem, a new variable is introduced and it's back to the drawing board.

photo credit: museumofplay.org

The older I get, the more it becomes clear that adults are figuring out each challenge as they go. The rule sheet is long lost and players do their best to figure out, make up, and reinterpret the instructions with each move. Children and adults alike are just feeling around in the dark, following, for right or wrong, the examples other, presumably more experienced, adults provide. Experts emerge with theories to guide us, but they can't factor every variable, their truth is often subjective. 

We're all just trying to figure things out before they blow up in our faces, doing our best to avoid the task of picking up the pieces and starting again. Try as we may, our success often depends on the luck of the draw-- sometimes we climb, sometimes we tumble. Adults claim they have no time for games, but play may be the key to better living.

photo credit: memegenerator.net
There are nearly ten years separating me and my kid sister, so I got to play a bit longer than other people my age. Games of Operation and Perfection seemed endless, my sister masterfully making new rules to pave her way to victory...cheating sums it up.

But she didn't know she was cheating. She was clever enough to know there was more than one means to an end-- she simply wouldn't be forced into an ill suited means. She knew there was a problem and she needed to solve it. She also understood there would be a winner and a loser... who likes to lose?

photo credit: seinfeldlessons.tumblr.com

If the tiny tweezers touched the patient's metallic funny bone incision, my sister declared that it didn't count. The red nose flickered and the board vibrated with each buzz as she dug into the cavity and removed the pesky plastic pieces. I rarely got a turn-- she cured the patient her way, so my services were unnecessary. I was there simply to observe the historic moment in medicine.


Against my sister, time became irrelevant in Perfection. If the clicking clock came close to a conclusion, she not so subtly turned the dial back a few seconds to give herself more time. She'd solve the problem in her time and my whining and shoving never changed it. Rules be damned-- she redefined the pathway to Perfection.

It has taken me years to appreciate my sister's rejection of the rules. The only thing her solutions hurt were my ego... I, too, didn't like to lose. Granted, life is more nuanced, more complex, but who is to say that conforming to established expectations and boundaries is a means to success or progress? 

Is it more noble to draw an unlucky card and accept the consequence, or to keep drawing cards until you find something you can live with? Is it better to relinquish your turn when you can't complete a task the way others want you to...to pass the buck and let someone else solve the problem in the name of tradition?
photo credit: www.moorebenefits.com
Now my kid sister is a mom and we sit and play the same games with her children. My niece takes up the torch of defying the rules...my sister does her best now to teach her to follow them. Time is funny like that. 

Teaching new players the rules is more about keeping the peace... no one wants to upset the silent agreement. For now, and in instances like those of game play, I chose to call what some call cheating- innovating; I acknowledge, however, there are no absolutes in the contexts of choosing to conform or innovate. But what do I know anyway? I'm just another fumbling adult.

What do you think? Is it better to teach children to follow the rules or to give them an avenue of innovative problem solving? You can leave your insight in the comment section. I'd love to read your point of view.



Sunday, November 22, 2015

All The World Is A Stage

As a child of the 80s, Wham was one of the coolest duos to hit pop scene. With their bubble gum beats, bright day-glow getups, and life's a party attitude, how was a girl to resist? It was sonic joy.

Photo credit: giphy.com

By this time, I'd have figured out that vocalists weren't directly addressing me; otherwise, lyrics like "...now you tell me that you're having a baby, I'll tell you that I'm happy if you want me to," would have been mightily confusing. A few years earlier I had a meltdown when Barry Manilow crooned, "Sweet Melissa...come into my arms." In my mind, there could be only one Melissa. That's the power of voice, though.

1984 was a time of awakening- Prince released Purple Rain; Jersey's own Bon Jovi urged me to runaway; Kenny Loggins helped me cut loose, footloose. If Prince could be a self-made icon, Bon Jovi a Jersey kid made good, and Loggins a reminder of rebellious spirit, I could be anything. Naturally, I, too, would be a pop star, inspiring listeners with nothing but my voice. But where to begin?

Photo credit: buzzfeed.com

My best friend's first floor bedroom window seemed the best place to stage our act. Her sheer blue drapes, our stage curtain; the kids riding bikes and the adults coming home from work in the parking lot, our captive audience. We loaded her red tape recorder with a mix of songs to sing for Hensyn Village.

Sometimes, in preparation, we'd have to sit listening to the radio for what seemed like hours, waiting to press record at just the right time. Every now and again, you could hear our families in the background of these tracks, "What the hell are you listening to..." Columbia House fixed all that-- we could order 11 tapes for a penny. What a steal!
photo credit: 91x.com
Showtimes would vary, but for a while- we gave it our all. Propping that red recorder, parting the curtain, and putting on our best radio voices for a proper introduction, all the world was our stage. We were sure it was just a matter of time until we were discovered. With our faces pressed to the dark screen, we'd sing out our eight year old hearts- certain we were radio ready, the perfect mimics. 

I'm not sure why we stopped. I imagine the adults trudging home, tired from a long day at work, asked our parents to have us pipe down. The window remained a stage, but the set changed. For a while it was a bank teller window...because what kid didn't want to play bank? Later, it was a fast food window. Every now and again, though, we'd make it a DJ booth- instead of singing, we'd announce songs like MTV VJs and Morning Zoo DJs. When Barbie and the Rockers were released, we tried to rekindle our singing career, but our efforts were short lived and half hearted. But the power of voice stayed with me.

photo credit: collectorsweekly.com

I'm still learning new ways to use my voice. I'm still trying to help others find theirs...why else would I be an English teacher? I decided to write for an audience instead of for myself, but there is something distant in writing's reach, something controlled in its release. About a year ago, I decided to take up singing lessons- a challenge to my comfort zone, trying to find a fuller version of my voice. It remains one of the most unnerving endeavors of my adult life.

I'm still, strangely, embarrassed to sing in front of my teacher. Maybe it has something to do with the 5 x 5 lesson space- there's nowhere to hide. As I child, I belted with reckless abandon; now I'm terrified of making a mistake or sounding foolish, which only adds to my frustration. I know I need to let go; I know mistakes are part of learning; I know the futility of perfectionism, but I still find myself insecure and embarrassed. Fear inhibits my progress and ultimately my voice. It's funny how these things never occurred to me as a kid-- singing was a way of letting go, how strange as an adult it's a means of learning to let go. I miss the innate wisdom of childhood.

A few nights ago, Lynn Noble, new author and professional artist, offered me a kind of affirmation. At the age of 50, she debuted her first photograph exhibit and poetry collection, Let The Spirit Move You. Her positive vibrations buzzed through the the downtown art gallery as she shared her poetry.

photo credit: Lynn Noble (book cover)

Her meditative reflections address the freedom born of stillness of mind, but it was one of her last readings, "Morning Song," that gave me goose bumps: "The birds wake up singing.../ happy to be alive./ Even before the light of day shines through,/ they know it is coming. It reminded me that our voices are a source of joy, a source of hope. It reminded me that my journey has value, value worth singing about. Her voice inspired me and so I'm inclined to replenish that which the universe served me, excited where it leads us.